From Terrorists to Viruses: Dystopian Progress – Edward Curtin

The fundamental tie that binds them is that both events aroused the human fear of death. Underlying all fears is the fear of death.  A  fear that has both biological and cultural roots. On the biological level, we all react to death threats in a fight or flight manner. Culturally, there are multiple ways that fear can be allayed or exacerbated, purposely or not. Usually, culture serves to ease the fear of death, which can traumatize people, through its symbols and myths. Religion has for a long time served that purpose, but when religion loses its hold on people’s imaginations, especially in regard to the belief in immortality, as Orwell pointed out in the mid-1940s, a huge void is left.  Without that consolation, fear is usually tranquilized by trivial pursuits.

In the cases of the attacks of September 11, 2001 and the current corona virus operation, the fear of death has been used by the power elites in order to control populations and institute long-planned agendas.  There is a red thread that connects the two events.

Both events were clearly anticipated and planned.

As with 9/11, there is ample evidence that the corona virus outbreak was expected and planned; that people have been the victims of a propaganda campaign to use an invisible virus to scare us into submission and shut down the world’s economy for the global elites.  It is a clear case, as Peter Koenig tells Michel Chossudovsky in this must-see interview, that is not a conspiracy theory but a blatant factual plan spelled out in the 2010 Rockefeller Report, the October 18, 2019 Event 201, and Agenda 21, among other places.

Like amorphous terrorists and a war against “terrorism,” which is a tactic and therefore not something you can fight, a virus is invisible except when the media presents it as a pale, orange-spiked bunch of floating weird balls that are everywhere and nowhere.  Watch your back, watch your face, mask up, wash your hands, keep your distance – you never know when those orange spiked balls may get you.

As with 9/11, whenever anyone questions the official narrative of Covid-19, the official statistics, the validity of the tests, the effectiveness of masks, the powers behind the heralded vaccine to come, and the horrible consequences of the lockdowns that are destroying economies, killing people, forcing people to despair and to commit suicide, creating traumatized children, bankrupting small and middle-sized businesses for the sake of enriching the richest, etc., the corporate media mock the dissidents as conspiracy nuts, aiding the viral enemy.  This is so even when the dissenters are highly respected doctors, scientists, intellectuals, et al., who are regularly disappeared from the internet. With September 11, there were initially far fewer dissenters than now, and so the censorship of opposing viewpoints didn’t need the blatant censorship that is now growing daily. This censorship happens all across the internet now, quickly and stealthily, the same internet that is being forced on everyone as the new normal as presented in the Great Global Reset, the digital lie, where, as Anthony Fauci put it, no one should  ever shake hands again. A world of abstract images and beings in which, as Arthur Jensen tells Howard Beal in the film, Network, “All necessities [will be] provided, all anxieties tranquilized, all boredom amused.”  A digital dystopia that is fast approaching as perhaps the end of that red thread that runs from 9/11 to today.

From Terrorists to Viruses: Dystopian Progress

Published by TCTTNews

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