Increasingly, I think, the American public operates in a mild dissociative state. I wrote about it here (my blog). It is almost as if people are afflicted with a kind of PTSD — only one where the trauma is generalized, relatively low grade, but ongoing.
Any of us who have questioned the Covid narrative have had to put up with an inordinate amount of hectoring, name calling, ridicule, and ostracism. I remember when I signed on the artist appeal as part of the Milosevic Defense Committee, and the abuse and anger I faced whenever this topic came up. People who had no history with the region, knew little of the political landscape, would nonetheless wax irate, furious and near tears that I would hold such outrageous positions. Now over a decade later two members of that committee have won Nobel Prizes (Harold Pinter and Peter Handke). You would think that might cause people to take a moment, reflect, recalibrate their thinking on the topic. But alas, it rarely does.
The Covid narrative has generated the same near hysterical indignation. The narrative, as it has been constructed by the WHO, CDC, and more likely a dozen or so billionaires (including Bill Gates) is so rife with contradiction and illogic that one might think cracks would begin to show. That many who accept the word of authority in general might, at this point, start to question why none of this story makes sense. But no. Not in America anyway. (or rather, to be more precise, there is a pushback, but it keeps to a low profile lest the little Cotton Mathers of the haute bourgeoisie put one in the stocks). Leave it to America to make the flu into a morality play. However, there are clear signs of people waking up. In Europe certainly. See here and here.
And not only Germany, doctors and health care professionals in Belgium, too. But the governments are sticking to the story they were handed. In Norway here I still cannot drive to Sweden. Why? Who knows, there is no reason provided. The PM uttered something about better safe than sorry, and staying the course. Everything is discussed this way, in infantile baby talk, gibberish and slogans. Anti-democratic edicts delivered as if by a kindergarten teacher.
The Covid story takes place in a universe of Whedon and Abrams, with parts of The Hunger Games, Breaking Bad, and the films of John Hughes. (Hughes was really the precursor for both Whedon and Abrams). Covid is taking place on the streets where Breakfast Club was filmed. In people’s heads anyway.
Covid, the virus, is an overdetermined symbol — and one that only makes even a tiny bit of sense if it is located in these personal streaming sites in your brain. (and I recommend Jonathan Beller, The Cinematic Mode of Production). There is a tendency toward fetishization, too, and hence the ubiquitous appearance and opinion of celebrities. It’s bordering on surreal much of the time: Hip Hop moguls are asked about climate change, Silicon Valley billionaires voice opinion on overpopulation or vaccinations, soap opera stars offer thoughts on stem cell research. Nothing is investigated, really. It is all driven by whatever is most lurid or sensationalized.
The ruling class has clearly encouraged, if not mandated, a certain line of thinking on the pandemic. The ruling class has profited enormously from the lockdown, and is quite happy with a semi permanent state of crisis. In fact, it is likely that this was at least partly all planned. I mean what does one think those billionaires at the Bilderberg meeting talk about? Or at DAVOS or the like? The ruling elite anticipated crises in Capitalism, and the lockdown certainly provides cover for massive plunder of pensions, real estate, and really, most everything.
This week Trump announced he had “tested positive”. He had been campaigning for the previous week and felt fine. Then he tested positive and is described as having flu-like symptoms. That this is part of a strategy I have no doubt, but I also could not begin to describe that strategy. But the magical appearance of symptoms the minute he tested positive echoes the overall magical thinking involved in this entire narrative. There is a veritable mania, now, concerning testing. And yet even the NYTimes admits the tests are virtually meaningless. But no matter. We must test more !!
Covid is the final act in the transference of wealth to the top 1%. And culture is being destroyed along with everything else. Cinemas are closing, permanently, theatres, too, permanently, and museums. Galleries and other art spaces are shuttered, likely to never reopen. Something like 30 million jobs have been lost. There is an acute desperation across America.
Who survives? Amazon, Netflix, Google, Comcast, Facebook, et al. Those who control the screens control the world. It is a new morning in hell.Morning in Hell